WorkshopsSetting Your RatesBy Karen O’Keefe, WIW Member Three panelists at WIW's Feb. 15 Workshop_Lisa Daniel, Ken Norkin and Joseph Barbato_discussed how to determine freelancer fees for commercial clients. Their advice? Charge higher. How much should a new freelancer charge? Much more than most think. Daniel, a writer, career expert and principal of Writer
Inc. urged freelancers to do research and lots of networking. “Start
telling people your rates and wait for a reaction. If you charge too
little, they will think you aren’t worth it. Have a ballpark figure
in mind and then charge high." Now Norkin emphasizes the absolute necessity for accurate time-tracking and record keeping. In 2004, he said he earned significantly more than his targeted billing rate by “quoting project fees aggressively and working efficiently.” According to Norkin, and his colleagues, a freelancer determines
fees by assessing his individual situation through the usage of business
principles before setting his income objective. “Fees," according to Norkin, "should rise over time. If business costs increase or if clients never balk at rates, you are charging too little.” Norkin also suggests that freelancers send their clients a letter of agreement to be signed by the client and returned to the writer that outlines the writer’s exact understanding of the nature and scope of the project and the agreed upon fee. Barbato, a long-time commercial writer and consultant and president of WIW and Barbato Associates, made these observations: “Companies pay writers for time, their thoughts, their expertise. . . . . Sometimes writers are timid about asking for their fee. You can't be that way. Know what you are going to charge and ask for it." Barbato said that factors determining a freelance writer’s rate should include a monthly income goal and an area’s “going rate." He said that "a company will pay more in the Washington, D.C., area than one in a small town in Virginia.” Writers should assume that they would earn a lower fee
whenever an ad agency is involved. Writers will make less with a middleman
in place, Barbato explained. “In the end," Barbato advised, “arrive at a fee that works for you and the client. Don't let insecurity drive the fee you ask for. You just can't charge enough. Take a risk with a new client just to see what happens. The good news from Barbato is that “Usually they pay.”
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